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Sculpture workshops as space and concept: creating the portrait
Uittreksel
"This book explores the multifaceted aspects of sculptor's workshops from the Renaissance to the early nineteenth century. Contributors take a fresh look at the sculptor's workshop as both a physical and discursive space. By studying some of the most prominent artists' sculptural practices, the workshop appears as a multifaced, sociable and practical space. The book creates a narrative in which the sculptural workshop appears as a working laboratory where new measuring techniques, new materials and new instruments were tested and became part of the lived experience of the artist and central to the works coming into being. Artists covered include Donatello, Roubilliac, Thorvaldsen, Canova, and Christian Daniel Rauch. The book will be of interest to scholars studying art history, sculpture, artist workshops, and European studies"--Provided by publisher.
Inhoud
The Absent Center: Donatello in the Workshop / Daniel Zolli -- Master and Servant. Canova's Workshop and the Formation of Sculptural Autonomy / Johannes Myssok -- The Final Touch. On Thorvaldsen's Marble Surfaces / Amalie Skovmøller.
Medewerking van
Uitgever
Uitgave
New York: Routledge, Taylor & Francis Group, 2022
Jaar
Gaat over
Onderwerp
Periode
1400-1825
Type
Taal
Classificatie
ISBN
- 1032227893
- 9781032227894
- 9780367428051
- 0367428059
Annotaties / titel notitie's
Notities
"The majority of the papers published here were first presented in preliminary form at the 'Creating the Portrait: The Workshop as Space and Concept' workshop held at Carlsberg Academy, Copenhagen on December 9, 2017 and organized by Jane Fejfer and Kristine Bøggild Johannsen. The workshop was held under the auspices of 'Powerful Presences: The Sculptural Portrait between Presence and Absence, Individual and Mass', a collaborative research and dissemination project between Thorvaldsens Museum and University of Copenhagen, generously funded by the Velux Foundations"--From preface.
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