Brueghel's heavy dancers: transgressive clothing, class, and culture in the late middle ages

Uittreksel

""Erudite, perceptive, and witty, as always, John Friedman shows the social implications and symbolism of medieval clothing."Paul Freedman, Yale University" ""With a sharp eye for fashion and an astute analysis of cultural indicators permeating this body of literature, Friedman uncovers commonalities and contrasts, underscoring ways in which social status, and even fear in the face of change, were concerns that extended beyond national boundaries in medieval Europe."Geri L. Smith, author of The Medieval French Pastourelle Tradition" "What do Brueghel's mid-sixteenth-century portrayals of "heavy" wedding dancers and feasters have in common with many late medieval poems and manuscript illustrations? Art historians have often treated Brueghel's paintings, with their obsessive social detail, as if they heralded a set of cultural attitudes peculiar to the Early Modern period. Yet the way that the painter combines, in a single scene, scurrilous behavior with dress not only unsuited to the rustic status of the wearers but often sexually revealing, reflects attitudes toward clothing, class, and culture that are deeply medieval. In this expansive and highly original book, Friedman shows how conventional portrayals of obedient peasants, dating back to classical antiquity, were increasingly replaced in the Middle Ages by representations of realistic peasants, whose outrageous behavior betrayed their class while threatening those who stood "above."" "Capacious in scope, the book covers poems from England, France, Germany, Italy, and Spain from the twelfth through the sixteenth centuries. In addition, Friedman draws on texts from various genres, particularly the pastourelle, giving readers the first panoramic approach to late medieval views of peasant clothing and certain related social behaviors such as eating, public excretion, brawling, and "mooning." The book examines elite anxiety over the socially striving lower classes during a period in which social identity was fluid and hierarchies were increasingly challenged by pressure from below. Illustrated with over twenty black-and-white images and offering detailed analyses of lyrics, plays, and poems, Brueghel's Heavy Dancers offers a fresh and illuminating contribution to the field of medieval studies"--BOOK JACKET.

Inhoud

1. Burel and Silk: The Clothing of the Shepherdess -- 2. "Selonc le bregerois usage": The Genre of the Bergerie -- 3. "Those Hideous Mountain Girls" -- 4. "Hide the Pecker": German Mock Pastourelles -- 5. "And for she was of town": Chaucer's Miller and Alison -- 6. "A sheef of pecok arwes, bright and kene": Chaucer's Yeoman and the Social Context of Archery -- 7. Clothing and German Antipeasant Satire.