Scene uit een No toneelstuk

Teisai Hokuba (vermeld op object), ca. 1821

Twee acteurs uit het toneelstuk 'De Urin tempel' bij een boom. De Urin tempel was een tempel in Kyoto. Met twee gedichten.

  • Soort kunstwerkprent, surimono
  • ObjectnummerRP-P-1991-709
  • Afmetingenblad: hoogte 209 mm (shikishiban) x breedte 185 mm
  • Fysieke kenmerkenkleurenhoutsnede; blinddruk; lijnblok in zwart met kleurblokken; metaalpigmenten

Identificatie

  • Titel(s)

    • Urinin (titel op object)
    • Scene uit een No toneelstuk
  • Serietitel(s)

    • Hisakataya jûban no uchi (serietitel op object)
    • Tien afbeeldingen van beroemde no-stukken voor de Hisakataya dichtersvereniging (serietitel op object)
  • Objecttype

  • Objectnummer

    RP-P-1991-709

  • Beschrijving

    Twee acteurs uit het toneelstuk 'De Urin tempel' bij een boom. De Urin tempel was een tempel in Kyoto. Met twee gedichten.

  • Opschriften / Merken

    verzamelaarsmerk, verso, gestempeld: Lugt 2459a

  • Onderdeel van catalogus

  • Catalogusreferentie

    • Forrer 264
    • Goslings 29

Vervaardiging

  • Vervaardiging

    • prentmaker: Teisai Hokuba (vermeld op object), Japan
    • dichter: Gachoan Michitane (vermeld op object), Japan
    • dichter: Hisakataya (vermeld op object), Japan
  • Datering

    ca. 1821

  • Zoek verder op


Materiaal en techniek

  • Fysieke kenmerken

    kleurenhoutsnede; blinddruk; lijnblok in zwart met kleurblokken; metaalpigmenten

  • Afmetingen

    blad: hoogte 209 mm (shikishiban) x breedte 185 mm


Toelichting

  • Een surimono is een luxe uitgevoerde prent waarop beeld met één of meerdere gedichten gecombineerd is. Bij het drukken van een surimono werd vaak gebruik gemaakt van dikker papier, blinddruk en metaal pigmenten, zoals koper- en zilverpoeder. De prenten werden vaak in opdracht van dichters gemaakt en als exclusief geschenk aan vrienden en relaties gegeven.


Dit werk gaat over

  • Onderwerp


Verwerving en rechten

  • Credit line

    Schenking van de heer J.H.W. Goslings, Epse

  • Verwerving

    schenking 1991

  • Copyright

  • Herkomst

    …; collection Tony Straus Negbaur (?-1942), Berlin (L. 2459a);…; purchased from the dealer Kunsthandel Huys den Esch, Dodewaard, by J.H.W. Goslings (1943-2011), Epse, near Deventer, 1990;{Coll. cat. Goslings 1999, p. 22, cat. no. 29} by whom donated to the museum, 1991


Documentatie


Duurzaam webadres


Teisai Hokuba

Scene from a Nō Play

Japan, Japan, Japan, c. 1821

Inscriptions

  • collector's mark, verso, stamped

Provenance

…; collection Tony Straus Negbaur (?-1942), Berlin (L. 2459a);…; purchased from the dealer Kunsthandel Huys den Esch, Dodewaard, by J.H.W. Goslings (1943-2011), Epse, near Deventer, 1990;1Coll. cat. Goslings 1999, p. 22, cat. no. 29 by whom donated to the museum, 1991

Object number: RP-P-1991-709

Credit line: Gift of J.H.W. Goslings, Epse


Context

Apparently, there was a vogue for designs after No plays in the early 1820s. In addition to this series of ten designs by Hokuba, Hokkei also designed a series on No plays, the Series of Fifteen No, No jugoban, for the Manjiren (see, e.g., Keyes2Keyes, Roger S., Surimono: Privately Published Japanese Prints in the Spencer Museum of Art. Tokyo/New York: Kodansha International Ltd., 1984, pp. 71-73. and Kruml3Kruml, Richard. Surimono Prints, Catalogue 15. London, 1975, pp. 26-39.), as did Kosetsu in 1823 for the Yomogawa (see Keyes).4Keyes, Roger S., The Art of Surimono. Privately Published Japanese Woodblock Prints and Books in the Chester Beatty Library, Dublin, 2 vols. London: Sotheby’s Publications, 1985, pp. 219-33.However, it is impossible to say on what basis the designs were selected for all of these series. Hokkei, for example, also uses two of the subjects in Hokuba's series, but at least ten of those treated by Kosetsu do not occur in Hokkei's selection.

For others of the series, see:
Adachigahara - NME, Leiden, 1353-6655Kyrova, Magda, et al., The Ear Catches the Eye. Music in Japanese Prints. Leiden: Hotei Publishing, 2000, p. 56.
Umegae - NME, Leiden, 1353-665c6Kyrova, Magda, et al., The Ear Catches the Eye. Music in Japanese Prints. Leiden: Hotei Publishing, 2000, p. 57.
Yamauba - NME, Leiden, 1353-665b
Koga - NME, Leiden, 1353-665e


The artist

Biography

Teisai Hokuba (1771-1844) was a pupil of Katsushika Hokusai. He used the art-name Teisai. There also seems to have been a Hokuba II.


Entry

A man in black kimono kneels before a courtier who is raising one arm over his head. A tree in the foreground.

The Urin-in Temple, Urinin, from A Series of Ten Prints for the Hisakataya Poetry Club, Hisakataya juban no uchi.

Urinin is a No taking its name from a temple in Kyoto where Kinmitsu, an enthusiastic admirer of the Tales of Ise, Ise monogatari, went to meet the great poet Ariwara no Narihira (825-80), to whom this work was formerly attributed. The Tales of Ise is a collection of short stories, generally beginning with the phrase 'Once there was a man...', Mukashi otoko arikeri... (for a good translation with comments, see Frits Vos,_ A Study of the Ise-monogatari_, 2 vols., The Hague: Mouton & Co., 1957).

For a very similar design by Hokkei after the same play, cf. Kruml.7Kruml, Richard. _, Catalogue 15. London, 1975, p. 30.

Two poems by Gachoan Michitane, and Hisakataya [Misora, a leader of the Hisakatayaren].

Issued by the Hisakatayaren
Signature reading: Hokuba ga
Printer: Yuyukan Kokan


Literature

M. Forrer, Surimono in the Rijksmuseum Amsterdam, Leiden 2013, no. 264


Citation

M. Forrer, 2013, 'Teisai Hokuba, Scene from a Nō Play, Japan, c. 1821', in Surimono from the Goslings Collection in the Rijksmuseum, online coll. cat. Amsterdam: https://data.rijksmuseum.nl/200482849

(accessed 23 mei 2026 22:28:23 UTC+0).

Footnotes

  • 1Coll. cat. Goslings 1999, p. 22, cat. no. 29
  • 2Keyes, Roger S., Surimono: Privately Published Japanese Prints in the Spencer Museum of Art. Tokyo/New York: Kodansha International Ltd., 1984, pp. 71-73.
  • 3Kruml, Richard. Surimono Prints, Catalogue 15. London, 1975, pp. 26-39.
  • 4Keyes, Roger S., The Art of Surimono. Privately Published Japanese Woodblock Prints and Books in the Chester Beatty Library, Dublin, 2 vols. London: Sotheby’s Publications, 1985, pp. 219-33.
  • 5Kyrova, Magda, et al., The Ear Catches the Eye. Music in Japanese Prints. Leiden: Hotei Publishing, 2000, p. 56.
  • 6Kyrova, Magda, et al., The Ear Catches the Eye. Music in Japanese Prints. Leiden: Hotei Publishing, 2000, p. 57.
  • 7Kruml, Richard. _, Catalogue 15. London, 1975, p. 30.