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A market for merchant princes: collecting Italian renaissance paintings in America
Alternate title
Collecting Italian renaissance paintings in America
Abstract
"A collection of essays that trace the increasingly sophisticated taste of American collectors of Italian Renaissance masterpieces from the antebellum era, through the Gilded Age, to the later twentieth century"--Provided by publisher.
Contents
James Jackson Jarves and the "primitive" art market in nineteenth-century America / Clay M. Dean -- "Modern connoisseurship" and the role it played in shaping American collectors' taste in Italian Renaissance art / Jaynie Anderson -- Discovering the Renaissance : Pierpont Morgan's shift to collecting Italian old masters / Jennifer Tonkovich -- Boston collectors in the wake of "Mrs. Jack" / Frederick Ilchman -- Henry Walters and Bernard Berenson / Stanley Mazaroff -- Mary Berenson and the cultivation of American collectors / Tiffany Johnston -- Collecting north Italian paintings at the Metropolitan Museum of Art / Andrea Bayer -- Building a Renaissance collection and museum after the Gilded Age : the case of John Ringling / Virginia Brilliant -- Samuel H. Kress and his collection of Italian Renaissance paintings / Edgar Peters Bowron.
Contributors
Publisher
Publication
University Park, Pennsylvania: The Pennsylvania State University Press, [2015]
Is about
Subject
Period
1850-1950
Type
Language
Classification
ISBN
- 9780271064710
- 0271064714
Annotations / title notes
Notes
- "This book evolved from a symposium organized by the Center for the History of Collecting that was held at the Frick Collection on November 12 and 13, 2010."
- Studies in the history of art collecting in America: "a series conceived by the Center for the History of Collecting at the Frick Collection"
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