Zeven sarcofagen (waruga), Minahasalanden, Noord-Celebes

Adrianus Johannes Bik, c. 1821 - c. 1824

Mogelijk een ontwerp voor een lithografie.

  • Artwork typedrawing, design
  • Object numberRP-T-1999-195
  • Dimensionsheight 410 mm x width 550 mm
  • Physical characteristicspen en penseel in kleuren in inkt en waterverf, met wit gehoogd, over schets in potlood op bristolkarton

Identification

  • Title(s)

    Zeven sarcofagen (waruga), Minahasalanden, Noord-Celebes

  • Object type

  • Object number

    RP-T-1999-195

  • Description

    Mogelijk een ontwerp voor een lithografie.

  • Inscriptions / marks

    inscription: ‘Kakas/ tondano/ 2.’


Creation

  • Creation

    draftsman (artist): Adrianus Johannes Bik, Noord-Celebes

  • Dating

    c. 1821 - c. 1824

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Material and technique

  • Physical description

    pen en penseel in kleuren in inkt en waterverf, met wit gehoogd, over schets in potlood op bristolkarton

  • Dimensions

    height 410 mm x width 550 mm


Explanatory note

  • Blad was waarschijnlijk bedoeld voor een litho. Schets van de waruga met payung bevindt zich in de omslag met losse aantekeningen en schetsen van A.J. Bik (vgl. tek. van Payen RMV60/A-23)


This work is about

  • Subject

  • Place

  • Period

    1821 - 1824


Acquisition and rights

  • Credit line

    Gift of the heirs of G.L. Arnold Bik-Stemfoort

  • Acquisition

    gift 1999

  • Copyright

  • Provenance

    …; collection Adrianus Johannes Bik (1790-1872); his son, Frederik Arnold Bik (1826-73); his son, Mr. Adrianus Johannes Emanuel Arnold Bik (1855-1931); his nephew, Adrianus Johannes Emanuel Arnold Bik (1899-1945); his widow, Mrs. Geertruida Louisa Arnold Bik, née Stemfoort (1905-68), The Hague; from whom on loan, with xx other objects, to the museum, 1968-1999; her heirs, A.J.E. Arnold Bik, Heemstede, Ms. G.L. Arnold Bik, Epe, and A.H. Jager, née Arnold Bik, Den Haag; by whom donated, with xx other objects, to the museum, 1999 {Provenance reconstructed in Scalliet 2001, note 1.}

  • Remarks

    Please note that this provenance was formulated with a special focus on provenance research for the years 1933-45 and could therefore be incomplete. There may be more (mostly earlier) provenance information known in the museum. In case this item has an uncertain or incomplete provenance for the years 1933-45, the Rijksmuseum welcomes information and assistance in the investigation and clarification of the provenance of all works during that era.


Documentation


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