Hoedagraaf met Simson verwoest de Tempel

anonymous, c. 1535 - c. 1550

Hat agraffe. Simon destroying the temple of Dagon. Gold and enamel. France, c. 1600.

  • Artwork typeagrafe
  • Object numberBK-17055
  • Dimensionsdiameter 5 cm
  • Physical characteristicsgoud en email

Identification

  • Title(s)

    Hoedagraaf met Simson verwoest de Tempel

  • Object type

  • Object number

    BK-17055

  • Description

    Hoedagraaf van goud en email. Hierop de voorstelling van Simson die de muren van de tempel van Dagon doet ineenstorten.


Creation

  • Creation

    maker: anonymous, France (possibly)

  • Dating

    c. 1535 - c. 1550

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Material and technique

  • Physical description

    goud en email

  • Dimensions

    diameter 5 cm


This work is about

  • Subject


Acquisition and rights

  • Copyright

  • Provenance

    …; collection Hannah Mathilde Freifrau von Rothschild (1832-1924), Grüneburg, Frankfurt am Main;{Note RMA; Von Falke 1936, p. 17, no K.14.} …; from Dr Fritz Mannheimer (1890-1939), Amsterdam and Paris, fl. 6,350,000, en bloc, to Artistic & General Securities Ltd. as security for a loan from the Mendelssohn & Co. Bank, but kept in usufruct, 1934;{NHA, 476, RMA Archive, inv. no. 2142, Recapitulatie der geïnventariseerde kunstvoorwerpen van wijlen Dr F. Mannheimer, undated, p. 33, no. Pr 12, Artistic no. 17/70; NHA, 233, Arrondissementsrechtbank Amsterdam, inv. no. 1365, “O.R. 256/1939, Faillissementsdossier: nalatenschap Dr. F. Mannheimer, 28 augustus 1939”, image 3, page 2.} purchased from Mendelssohn & Co. Bank, en bloc, by the Dienststelle Mühlmann, The Hague, for Adolf Hitler's Führermuseum, Linz, 1940;{Korthals Altes 1974, pp. 21-22.} war recuperation, SNK, 1945;{HNA, SNK Archive, 2.08.42, inv. no. 548.} on loan, with 1,702 other objects, from the DRVK to the museum, 1952;{Note RMA.} transferred to the museum, 1960

  • Remarks

    Please note that this provenance was formulated with a special focus on provenance research for the years 1933-45 and could therefore be incomplete. There may be more (mostly earlier) provenance information known in the museum. In case this item has an uncertain or incomplete provenance for the years 1933-45, the Rijksmuseum welcomes information and assistance in the investigation and clarification of the provenance of all works during that era.


Documentation


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