De dood van Karel de Kale

Simon Fokke, c. 1722 - c. 1784

De dood van Karel de Kale, koning der Franken en Rooms Keizer (823-877). Ontwerp voor een prent.

  • Artwork typedrawing, design
  • Object numberRP-T-1999-52
  • Dimensionsheight 82 mm x width 102 mm
  • Physical characteristicsblack chalk

Identification

  • Title(s)

    De dood van Karel de Kale

  • Object type

  • Object number

    RP-T-1999-52

  • Description

    De dood van Karel de Kale, koning der Franken en Rooms Keizer (823-877). Ontwerp voor een prent.

  • Inscriptions / marks

    annotation: ‘Karel de Kale sterft (in kunstenaarshandschrift)’


Creation

  • Creation

    draftsman (artist): Simon Fokke

  • Dating

    c. 1722 - c. 1784

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Material and technique

  • Physical description

    black chalk

  • Dimensions

    height 82 mm x width 102 mm


Explanatory note

  • ontwerp voor een gravure


Acquisition and rights

  • Credit line

    Gift of the heirs of G.L. Arnold Bik-Stemfoort

  • Acquisition

    gift 1999

  • Copyright

  • Provenance

    …; ? collection Adrianus Johannes Bik (1790-1872); his son, Frederik Arnold Bik (1826-73); his son, Mr. Adrianus Johannes Emanuel Arnold Bik (1855-1931); his nephew, Adrianus Johannes Emanuel Arnold Bik (1899-1945); his widow, Mrs. Geertruida Louisa Arnold Bik, née Stemfoort (1905-68), The Hague; from whom on loan, with xx other objects, to the museum, 1968-1999; her heirs, A.J.E. Arnold Bik, Heemstede, Ms. G.L. Arnold Bik, Epe, and A.H. Jager, née Arnold Bik, Den Haag; by whom donated, with xx other objects, to the museum, 1999 {Provenance reconstructed in Scalliet 2001, note 1.}

  • Remarks

    Please note that this provenance was formulated with a special focus on provenance research for the years 1933-45 and could therefore be incomplete. There may be more (mostly earlier) provenance information known in the museum. In case this item has an uncertain or incomplete provenance for the years 1933-45, the Rijksmuseum welcomes information and assistance in the investigation and clarification of the provenance of all works during that era.


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