Adam's Berg (Mulkirigala), Reclining Buddha

Jan Brandes (signed by artist), 1785-10-10 - 1785-12-30

Interieur van een grot met een beeld van de liggende Boeddha van vijf manslengten lang en één manslengte hoog en enkele Singalezen in lendedoeken. Met opschrift.

  • Artwork typedrawing
  • Object numberNG-1985-7-3-125
  • Dimensionsheight 206 mm x width 325 mm
  • Physical characteristicswaterverf over schets in potlood, penseel in kleuren

Identification

  • Title(s)

    Adam's Berg (Mulkirigala), Reclining Buddha

  • Object type

  • Object number

    NG-1985-7-3-125

  • Description

    Interieur van een grot met een beeld van de liggende Boeddha van vijf manslengten lang en één manslengte hoog en enkele Singalezen in lendedoeken. Met opschrift.

  • Inscriptions / marks

    • inscription: ‘Dit beeld van groove aarde gemaakt legt in de graftombe in den heidensche Singalesen tempel op Ceylon niet verre van Colombo’
    • signature and date: ‘J. Brandes delin 1785’

Creation

  • Creation

    draftsman (artist): Jan Brandes (signed by artist), Colombo

  • Dating

    1785-10-10 - 1785-12-30

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Material and technique

  • Physical description

    waterverf over schets in potlood, penseel in kleuren

  • Dimensions

    height 206 mm x width 325 mm


This work is about

  • Subject

  • Place

  • Period

    1700 - 1800


Acquisition and rights

  • Acquisition

    purchase 1985-05-02

  • Copyright

  • Provenance

    ? Collection of the artist; his daughters, Johanna Maria Brandes (1792-1813) and Charlotta Constantia Brandes (1796-1870), Skälsebo;{De Bruijn/Raben 2004, p. 93.} by descent to Erik Kellberg (1883-1960);{De Bruijn/Raben 2004, p. 93.} ? to Brite-Louise Mangs-Kellberg;{File RMA.}…; anonymous sale, London (Sotheby’s), 2 May 1985 sqq., no. 216, £ 50,000, with xx other drawings, to the dealer W. Graham Arader III, New York, for the Rijksmuseum, in exchange for eighteen drawings that were part of this lot, 1985

  • Remarks

    Please note that this provenance was formulated with a special focus on provenance research for the years 1933-45 and could therefore be incomplete. There may be more (mostly earlier) provenance information known in the museum. In case this item has an uncertain or incomplete provenance for the years 1933-45, the Rijksmuseum welcomes information and assistance in the investigation and clarification of the provenance of all works during that era.


Documentation


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