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Appreciating the traces of an artist's hand

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Preface -- Albrecht Dürer's The desperate man: fleeting images and the creating hand / Kayo Hirakawa -- Rubens and the history of the oil sketch / Toshiharu Nakamura -- The hands of Rubens: on copies and their reception / Nils Büttner -- Connection between rough brushstrokes and vulgar subjects in seventeenth-century Netherlandish paintings / Michiko Fukaya -- Rembrandt in Kassel: the relativity of eighteenth-century connoisseurship / Gregor J.M. Weber -- Genius, inspiration, and hands: pre-Romantic image of artists and fantasy figures by Fragonard / Tomoko Yoshida -- Originality spontaneity, and sincerity: the rise of the sketch in France at the turn of the nineteenth century / Nicole R. Myers -- "Full of vigour, & nature, fresh, original, warm from observation of nature, hasty, unpolished, untouched": the oil sketches of John Constable / Mark Evans -- How Paul Cézanne rejected the fini concept / Takanori Nagaï.

Medewerking van

Uitgever

  • Uitgave

    Kyoto: Department of Aesthetics and Art History, Graduate School of Letters, Kyoto University, 2017

  • Jaar

Gaat over

  • Onderwerp

Type

  • Taal

Annotaties / titel notitie's

  • Notities

    • "This colloquium will discuss in a historical context various aspects related to the creativity inherent in an artist's lines and brushstrokes from the sixteenth to the early twentieth centuries and offer a new perspective on artistic ideal, style, technique, connoisseurship, and the taste of the audience."--Kyoto University web site.
    • Papers presented at a colloquium held at the Graduate School of Letters, Kyoto University, September 25, 2016.

Duurzaam webadres

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Deze publicatie is afkomstig uit de bibliotheek van het Rijksmuseum. Wie onderzoek wil doen naar of met behulp van de collecties van het Rijksmuseum is welkom in de Rijksmuseum Research Library en Study Room Prints & Drawings.
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