Rookgerei en knollen

Ryûryûkyo Shinsai (vermeld op object), ca. 1815 - ca. 1820

Een rookset bestaande uit een zeer luxe pijphouder en een tabakszak, met daarachter twee rapen. Met drie gedichten.

  • Soort kunstwerkprent, surimono
  • ObjectnummerRP-P-1991-659
  • Afmetingenblad: hoogte 207 mm (shikishiban) x breedte 185 mm
  • Fysieke kenmerkenkleurenhoutsnede; blinddruk; lijnblok in zwart met kleurblokken; metaalpigmenten

Identificatie

  • Titel(s)

    • Rookgerei en knollen
    • Higashiyama no kabura (titel op object)
    • Rapen uit Higashiyama
  • Serietitel(s)

    • De thuis richtlijnen voor correspondentie
    • Teikin ôrai (serietitel op object)
  • Objecttype

  • Objectnummer

    RP-P-1991-659

  • Beschrijving

    Een rookset bestaande uit een zeer luxe pijphouder en een tabakszak, met daarachter twee rapen. Met drie gedichten.

  • Onderdeel van catalogus

  • Catalogusreferentie

    • Forrer 357
    • Goslings 103

Vervaardiging

  • Vervaardiging

    • prentmaker: Ryûryûkyo Shinsai (vermeld op object), Japan
    • dichter: Kashakutei Aigaki (vermeld op object), Japan
    • dichter: Harunoya Hajime (vermeld op object), Japan
    • dichter: Kûmanya Maeda (vermeld op object), Japan
  • Datering

    ca. 1815 - ca. 1820

  • Zoek verder op


Materiaal en techniek

  • Fysieke kenmerken

    kleurenhoutsnede; blinddruk; lijnblok in zwart met kleurblokken; metaalpigmenten

  • Afmetingen

    blad: hoogte 207 mm (shikishiban) x breedte 185 mm


Toelichting

  • Een surimono is een luxe uitgevoerde prent waarop beeld met één of meerdere gedichten gecombineerd is. Bij het drukken van een surimono werd vaak gebruik gemaakt van dikker papier, blinddruk en metaal pigmenten, zoals koper- en zilverpoeder. De prenten werden vaak in opdracht van dichters gemaakt en als exclusief geschenk aan vrienden en relaties gegeven.


Dit werk gaat over

  • Onderwerp


Verwerving en rechten

  • Credit line

    Schenking van de heer J.H.W. Goslings, Epse

  • Verwerving

    schenking 1991

  • Copyright

  • Herkomst

    …; purchased from the dealer Kunsthandel Huys den Esch, Dodewaard, by J.H.W. Goslings (1943-2011), Epse, near Deventer, 1989;{Coll. cat. Goslings 1999, p. 48, cat. no. 103} by whom donated to the museum, 1991


Documentatie


Duurzaam webadres


Ryûryûkyo Shinsai

A Smoking Set and Turnips

Japan, Japan, Japan, Japan, c. 1815 - c. 1820

Provenance

…; purchased from the dealer Kunsthandel Huys den Esch, Dodewaard, by J.H.W. Goslings (1943-2011), Epse, near Deventer, 1989;1Coll. cat. Goslings 1999, p. 48, cat. no. 103 by whom donated to the museum, 1991

Object number: RP-P-1991-659

Credit line: Gift of J.H.W. Goslings, Epse


Context

The Teikin orai is a classical guide to letter writing, intended to serve both as an aid in writing characters as well as help master compositional style. It is attributed to the monk Genne (d. 1350). As so many series based on literary sources, it is uncertain how many designs were in the original series.

It is quite likely that this series was designed for the same poetry group that commissioned A Series of Three on the Theme of Bravery and Valour from Japan and China for the Kumanyaren, Kumanyaren - Waken buyu awase sanban no uchi, from Hokusai in 1820 (see Keyes).2Keyes, Roger S., Surimono: Privately Published Japanese Prints in the Spencer Museum of Art. Tokyo/New York: Kodansha International Ltd., 1984, p. 109.

For others in the series, see:
Karasumaru no eboshi: Still life of court-caps and a fan - NME, Leiden, 1353-19233Fujisawa Morihiko korekushon surimono o chuushin to shite (The Fujisawa Morihiko Collection: with a Stress on Surimono) Tokyo: Ota Memorial Museum of Art, 1998, p. 57., MFA 11.20027
Still life of various fans -4Fujisawa Morihiko korekushon surimono o chuushin to shite (The Fujisawa Morihiko Collection: with a Stress on Surimono) Tokyo: Ota Memorial Museum of Art, 1998, p. 18.
Okushu no kin: Fabric, box with brushes, and golden pipe - MFA 11.20029.


The artist

Biography

Ryuryukyo Shinsai (n.d., but often given as 1764?-1820; the latter date is definitely incorrect as his last known designs were issued in 1825) is said to have first been follower of Tawaraya Sori, and later of Katsushika Hokusai, who gave him the art-name Shinsai in 1800. His personal name was Masayuki. He was one of the most prolific designers of surimono in the early 19th century and thoroughly explored the possibilities of issuing works in titled series.


Entry

A smoking set consisting of a pipe holder with metal fittings that is probably meant to be tucked into a sash with a small brocade tobacco pouch attached to it, a coral bead, ojime, keeping the bag closed. Behind it two turnips.

Turnips from Higashiyama, Higashiyarna no kabura, from the series The Home Precepts for Correspondence, Teikin orai.

The pipe holder, kiseruzutsu, is of an extremely luxurious type, which has led to it being identified by some as a dagger or even a short sword, but not even a woman's dagger would fit into a sheath this small. The turnip leaves are printed without the use of a line-block.

Three poems by Kashakutei Aigaki, Harunoya Hajime and Kumanya [or Soramitsuya? (Tagaki)] Maeda. The first two poems are rather unconventional and not very informative.

Maeda's poem reads:
It must have eaten Higashiyama turnips - the voice of the warbler in our garden sounds so full every morning

Higashiyama is a mountain east of Kyoto.

Issued by the Yomogawa
Signature reading: Shinsai
Produced by the Ryusai [Chimatal Studio]


Literature

M. Forrer, Surimono in the Rijksmuseum Amsterdam, Leiden 2013, no. 357


Citation

M. Forrer, 2013, 'Ryûryûkyo Shinsai, A Smoking Set and Turnips, Japan, c. 1815 - c. 1820', in Surimono from the Goslings Collection in the Rijksmuseum, online coll. cat. Amsterdam: https://data.rijksmuseum.nl/200415811

(accessed 24 mei 2026 05:37:47 UTC+0).

Footnotes

  • 1Coll. cat. Goslings 1999, p. 48, cat. no. 103
  • 2Keyes, Roger S., Surimono: Privately Published Japanese Prints in the Spencer Museum of Art. Tokyo/New York: Kodansha International Ltd., 1984, p. 109.
  • 3Fujisawa Morihiko korekushon surimono o chuushin to shite (The Fujisawa Morihiko Collection: with a Stress on Surimono) Tokyo: Ota Memorial Museum of Art, 1998, p. 57.
  • 4Fujisawa Morihiko korekushon surimono o chuushin to shite (The Fujisawa Morihiko Collection: with a Stress on Surimono) Tokyo: Ota Memorial Museum of Art, 1998, p. 18.