The shape of things: still life in Britain

Abstract

"Historically, still life has been viewed as the lowest genre of art, but in fact it has been employed by leading British artists to grapple with some of the most profound themes relating to the human condition, and as a vehicle for artistic experimentation with new forms and ideas. 'The Shape of things' shows how in the early 20th century British artists renewed the traditional genre of still life for the modern age, a spirit of experimentation with the genre that continues today. Showing how the genre sits at the heart of different artistic movements in Modern British art including the Seven & Five Society, Unit One, the British Surrealist Group, St Ives and post-war abstraction, Neo-Romanticism, pop art, conceptual art and post-war figurative art, and YBAs, it presents a history of British art as understood through the lens of the still life. Other themes which will be touched on include identity, migration, consumerism, existentialism, and climate change, themes that are eminently relevant to contemporary audiences. Featuring texts from contributors including Simon Martin, Lydia Miller, Miriam O'Connor Perks, Melanie Vandenbrouck, Phoebe Cummins, Michael Bird, Emma Sharples and Chloe Nahum."-- Provided by publisher.

Contents

Foreword / Simon Martin -- History repeating : still life between past and present / Simon Martin -- 'Unbroken quiet' : how British still life was stimulated by post-impressionism / Lydia Miller -- 'Reality and the other thing' : still life in interwar Britain / Chloe Nahum and Emma Sharples -- Paths to abstraction / Micheal Bird -- 'The world is still dark' : death and existentialism in British still life, 1939 to now / Melanie Vandenbrouck -- Accelerated decay : consumer culture and still life / Miriam O'Connor Perks -- 'It doesn't shout--it whispers' : on the quietness of still life / Melanie Vandenbrouck -- I hear myself with my throat / Phoebe Cummings.