The end: artists' late and last works

Abstract

When is a work of art finished? Can it be complete in a mental sense? And who decides? In this highly original and wide-ranging study, Carel Blotkamp explores the concept and manifestations of 'the end' in art. From the idea of a mortal end to the notion of completeness, Blotkamp describes a fascinating array of historical facts and myths as well as novels on art and artists. He examines the value of the last works of artists, considering how a particular end came about and how that might affect our perception of the work; the difference in the styles of artists in old age; unfinished last works and those completed by another's hand; and the mythology inherent in the reception of last works, taking the last works of Raphael and Mondrian as prime examples. For students, artists and art enthusiasts looking for a new perspective on modern art, 'The End' is the perfect place to start. -- First published in Dutch in 1996 (ISBN 9789090100586, Stichting Vrienden van het Kunsthistorisch Instituut Utrecht)

Contents

Death and the artist -- The case of Raphael: The Transfiguration -- Last works, late works -- The case of Mondrian: Victory boogie-woogie -- Postscript.