Experiencing music and visual cultures: threshold, intermediality, synchresis

Contents

Part I, Setting the scene. Synch : scenes of implication / Alessandra Campana. Armida in-between : the translation of the affetti / Giovanni Careri -- Part II, Voice as presence and absence. La voix humaine (1959-2016) and the "epiphany" of the performer's identity / Francesca Placanica. Puppets that sing or scenery that breathes : Phelim McDermott's Satyagraha / Hayley Fenn. Manipulating (public) images in the contemporary music documentary / Jennifer O'Meara. A new Carmen for a new Spain : nationalism and cinema during the Spanish Civil War / Laura Miranda -- Part III, Beyond borders. "Uber opera" : the politics of site-specific mobile opera in Los Angeles / Monica C. Chieffo. Quel trouble me saisit? : the arrested gaze of Armide in Poussin, Quinault and Lully / Michael Lee. Music in Cuban revolutionary cinema : musical experimentation in the service of revolutionary ideology / Marysol Quevedo. Ken Russell's Mahler : a musical phantasmagoria / Pascal Vandelanoitte. There's meth in the madness : music and incongruence in AMC's Breaking bad / Jessica Shine -- Part IV, From silence to sound and back. Music, painting, cosmos, chaos : flaying and playing in Titian' Marsyas / Itay Sapir. Armonia, seeing and hearing in Paolo Veronese's Le nozze di Cana / Antonio Cascelli. Listening to space in time / Susanna Pasticci. The allowable voices of silent opera films in 1910s Ireland / Denis Condon.