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Appreciating the traces of an artist's hand
Contents
Preface -- Albrecht Dürer's The desperate man: fleeting images and the creating hand / Kayo Hirakawa -- Rubens and the history of the oil sketch / Toshiharu Nakamura -- The hands of Rubens: on copies and their reception / Nils Büttner -- Connection between rough brushstrokes and vulgar subjects in seventeenth-century Netherlandish paintings / Michiko Fukaya -- Rembrandt in Kassel: the relativity of eighteenth-century connoisseurship / Gregor J.M. Weber -- Genius, inspiration, and hands: pre-Romantic image of artists and fantasy figures by Fragonard / Tomoko Yoshida -- Originality spontaneity, and sincerity: the rise of the sketch in France at the turn of the nineteenth century / Nicole R. Myers -- "Full of vigour, & nature, fresh, original, warm from observation of nature, hasty, unpolished, untouched": the oil sketches of John Constable / Mark Evans -- How Paul Cézanne rejected the fini concept / Takanori Nagaï.
Contributors
Publisher
Publication
Kyoto: Department of Aesthetics and Art History, Graduate School of Letters, Kyoto University, 2017
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Annotations / title notes
Notes
- "This colloquium will discuss in a historical context various aspects related to the creativity inherent in an artist's lines and brushstrokes from the sixteenth to the early twentieth centuries and offer a new perspective on artistic ideal, style, technique, connoisseurship, and the taste of the audience."--Kyoto University web site.
- Papers presented at a colloquium held at the Graduate School of Letters, Kyoto University, September 25, 2016.
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