Roof Boss with an Angel Supporting an Escutcheon

anonymous, c. 1490 - c. 1500

Key-piece with an angel. Oak, originally with polychromy. Netherlands, c. 1490. On loan from the Royal Antiquarian Society.

  • Artwork typeroof boss
  • Object numberBK-KOG-1337-A
  • Dimensionsheight 12.5 cm x width 13 cm x depth 6.5 cm
  • Physical characteristicsoak

Identification

  • Title(s)

    Roof Boss with an Angel Supporting an Escutcheon

  • Object type

  • Object number

    BK-KOG-1337-A

  • Description

    Tegen een vlakke achtergrond in de vorm van een onregelmatige zevenhoek is een engel geplaatst met sterk krullend haar, gespreide vleugels en opgetrokken knieën. Hij houdt in beide handen een wapenschild en is gekleed in albe en amict.

  • Part of catalogue


Creation

  • Creation

    sculptor: anonymous, Northern Netherlands

  • Dating

    c. 1490 - c. 1500

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Material and technique

  • Physical description

    oak

  • Dimensions

    height 12.5 cm x width 13 cm x depth 6.5 cm


Acquisition and rights

  • Credit line

    On loan from the Koninklijk Oudheidkundig Genootschap

  • Copyright

  • Provenance

    …; donated, with BK-KOG-1337-B and -C, by L.J.F. Janssen (1806-1869), to the Koninklijk Oudheidkundig Genootschap, Amsterdam, 1859; on loan to the museum, since 1885


Documentation


Related objects

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Persistent URL


anonymous

Roof Boss with an Angel Supporting an Escutcheon

Northern Netherlands, c. 1490 - c. 1500

Technical notes

Carved and originally polychromed. The reverse is flat and contains two holes for attachment.


Condition

The polychromy has been removed.


Provenance

…; donated, with BK-KOG-1337-B and -C, by L.J.F. Janssen (1806-1869), to the Koninklijk Oudheidkundig Genootschap, Amsterdam, 1859; on loan to the museum, since 1885

Object number: BK-KOG-1337-A

Credit line: On loan from the Koninklijk Oudheidkundig Genootschap


Entry

This is one of a set of three oak roof bosses (for the other two, see BK-KOG-1337-B and -C). They all consist of a flat background in the shape of a heptagon, the lower point of which is slightly out of plumb. On each of these backings is, in high relief, an angel with outspread wings and raised knees, holding up an escutcheon. Remnants of polychromy indicate that these roof bosses were once completely painted. According to an exhibition catalogue of 1858, they ‘came from the keystones of a vault’.1¬Catalogus van voorwerpen uit vroegeren tijd, exh. cat. Amsterdam (Arti et Amicitiae) 1858, nos. 798-800. Unfortunately, no further information was given about their exact provenance. Their small size suggests they derive from a relatively low vaulted ceiling. In terms of style, the angels – with their compact bodies, fleshy faces and stringy hair – are in keeping with the sculpture of the Northern Netherlands. For example, the middle stile of a richly decorated cabinet from Alkmaar (BK-KOG-656) ends at the bottom in a related, escutcheon-bearing angel (fig. a).2For this cabinet, see R. Baarsen in H. van Os et al., Netherlandish Art in the Rijksmuseum 1400-1600, coll. cat. Amsterdam 2000, no. 22.

Bieke van der Mark, 2024


Literature

J. Leeuwenberg with the assistance of W. Halsema-Kubes, Beeldhouwkunst in het Rijksmuseum, coll. cat. Amsterdam 1973, no. 76, with earlier literature


Citation

B. van der Mark, 2024, 'anonymous, Roof Boss with an Angel Supporting an Escutcheon, Northern Netherlands, c. 1490 - c. 1500', in F. Scholten and B. van der Mark (eds.), European Sculpture in the Rijksmuseum, online coll. cat. Amsterdam: https://data.rijksmuseum.nl/20035567

(accessed 24 mei 2026 10:07:32 UTC+0).

Figures

  • fig. a Escutcheon-bearing Angel, fragment of the Sideboard from the Provenhuis Paling en Van Foreest in Alkmaar, c. 1520-30. Oak, 147 x 110 x 80 cm. Amsterdam, Rijksmuseum, inv. no. BK-KOG-656


Footnotes

  • 1¬Catalogus van voorwerpen uit vroegeren tijd, exh. cat. Amsterdam (Arti et Amicitiae) 1858, nos. 798-800.
  • 2For this cabinet, see R. Baarsen in H. van Os et al., Netherlandish Art in the Rijksmuseum 1400-1600, coll. cat. Amsterdam 2000, no. 22.