Ingewanden van een man

anonymous, 1630 - 1649

Met letters die de verschillende onderdelen aanduiden. Linksboven genummerd: fig 2. lib. 5.

  • Artwork typedrawing
  • Object numberRP-T-1989-276
  • Dimensionsheight 337 mm x width 222 mm
  • Physical characteristicspen in zwart en bruin gehoogd met witte dekverf op bruin geprepareerd papier

Identification

  • Title(s)

    Ingewanden van een man

  • Object type

  • Object number

    RP-T-1989-276

  • Description

    Met letters die de verschillende onderdelen aanduiden. Linksboven genummerd: fig 2. lib. 5.

  • Inscriptions / marks

    collector's mark: Lugt 2228


Creation

  • Creation

    draftsman (artist): anonymous, Low Countries

  • Dating

    1630 - 1649

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Material and technique

  • Physical description

    pen in zwart en bruin gehoogd met witte dekverf op bruin geprepareerd papier

  • Dimensions

    height 337 mm x width 222 mm


Explanatory note

  • De tekening en de letters die de verschillende onderdelen aanduiden komen overeen met een prent uit: Spiegel, Adriaan van den, en Daniel Bucretius. De humani corporis fabrica libri decem. Venetië: s.n., 1627. Tekening zit in een omslag met meerdere anatomische tekeningen, genummerd RP-T-1989-256 en RP-T-1989-258 t/m RP-T-1989-289.


This work is about

  • Subject


Acquisition and rights

  • Credit line

    Purchased with the support of the Vereniging Rembrandt, with additional funding from the Prins Bernhard Fonds, the Rijksmuseum-Stichting and the Ster Holding BV

  • Acquisition

    purchase 1989

  • Copyright

  • Provenance

    …; collection Carel Vosmaer (1826-88), Montreux;{Note RMA.} his son, Prof. Dr Gualtherus Carel Jacob Vosmaer (1854-1916), Leiden; his son, C.J.J.G. Vosmaer (1907-86), Leiden; his heirs; from whom, fl. 650,000, with 212 other drawings, to the museum, with support from the Vereniging Rembrandt, the Rijksmuseum Stichting and The Ster, 1989

  • Remarks

    Please note that this provenance was formulated with a special focus on provenance research for the years 1933-45 and could therefore be incomplete. There may be more (mostly earlier) provenance information known in the museum. In case this item has an uncertain or incomplete provenance for the years 1933-45, the Rijksmuseum welcomes information and assistance in the investigation and clarification of the provenance of all works during that era.


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