Hanger met Maria en Kind en twee engelen

anonymous, c. 1500 - c. 1600

Pendant. Mary and two angels. Gold, pearl and enamel. Italy, c. 1500-1600.

  • Artwork typependant (jewelry)
  • Object numberBK-17054
  • Dimensionsheight 6.8 cm x width 2.5 cm
  • Physical characteristicsgedeeltelijk geëmailleerd goud, parel

Identification

  • Title(s)

    Hanger met Maria en Kind en twee engelen

  • Object type

  • Object number

    BK-17054

  • Description

    Hanger van goud. Voorstellende Maria met kind en twee engelen in een ovaal. Het is geheel geëmailleerd.


Creation

  • Creation

    jeweler: anonymous, Italy (possibly)

  • Dating

    c. 1500 - c. 1600

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Material and technique

  • Physical description

    gedeeltelijk geëmailleerd goud, parel

  • Dimensions

    height 6.8 cm x width 2.5 cm


This work is about

  • Subject


Acquisition and rights

  • Copyright

  • Provenance

    …; sale, Raoul Heilbronner (1847-1941, Paris), Paris (Drouot), 9 (exact day unknown) November 1921 sqq., no. 233, frs 2,580, to the dealer M&R Stora;{Copy CIWi.} …; from Dr Fritz Mannheimer (1890-1939), Amsterdam and Paris, fl. 6,350,000, en bloc, to Artistic & General Securities Ltd. as security for a loan from the Mendelssohn & Co. Bank, but kept in usufruct, 1934;{NHA, 476, RMA Archive, inv. no. 2142, Recapitulatie der geïnventariseerde kunstvoorwerpen van wijlen Dr F. Mannheimer, undated, p. 33, no. Pr 11, Artistic no. 16/45; NHA, 233, Arrondissementsrechtbank Amsterdam, inv. no. 1365, “O.R. 256/1939, Faillissementsdossier: nalatenschap Dr. F. Mannheimer, 28 augustus 1939”, image 3, page 2.} purchased from Mendelssohn & Co. Bank, en bloc, by the Dienststelle Mühlmann, The Hague, for Adolf Hitler's Führermuseum, Linz, 1940;{Korthals Altes 1974, pp. 21-22.} war recuperation, SNK, 1945;{HNA, SNK Archive, 2.08.42, inv. no. 548.} on loan, with 1,702 other objects, from the DRVK to the museum, 1952;{Note RMA.} transferred to the museum, 1960

  • Remarks

    Please note that this provenance was formulated with a special focus on provenance research for the years 1933-45 and could therefore be incomplete. There may be more (mostly earlier) provenance information known in the museum. In case this item has an uncertain or incomplete provenance for the years 1933-45, the Rijksmuseum welcomes information and assistance in the investigation and clarification of the provenance of all works during that era.


Documentation


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